D&G’s Hot Date With Metrosexuality

D&G are cun­ning bas­tards. No won­der they are now a World Power.

No other fash­ion brand bet­ter under­stands the nature of 21st Cen­tury desire, where it lives, what it looks like, what it looks good in –and where it’s tak­ing us in the back of a taxi on Sat­ur­day night.

This ad for D&G jew­el­ery, cur­rently air­ing in heavy rota­tion on TV and in cin­e­mas across Europe (and caus­ing a bar­rage of com­plaints in some), is dev­il­ishly clever, on so many dif­fer­ent lev­els — and dev­il­ishly dis­turb­ing. Like a kinky lover, it toys with your expec­ta­tions and then, right at the end, when you think you know what it’s about, you slowly realise that yes, it’s kind of about that, but actu­ally it’s much more about some­thing else.  Some­thing even more salient and unset­tling.   Some­thing in fact beyond sex­u­al­ity.

And strangely hotter.

And if you pre­fer to focus on the dark-haired lad(s) pouty, sulky lips :

In the midst of this bling­ing self-love-fest, I can’t help but quote (no gag reflex) from my own dev­il­isly clever, dia­bol­i­cally prophetic, 2002 essay ‘Meet the met­ro­sex­ual’:

The typ­i­cal met­ro­sex­ual is a young man with money to spend, liv­ing in or within easy reach of a metrop­o­lis — because that’s where all the best shops, clubs, gyms and hair­dressers are. He might be offi­cially gay, straight or bisex­ual, but this is utterly imma­te­r­ial because he has clearly taken him­self as his own love object and plea­sure as his sex­ual pref­er­ence. Par­tic­u­lar pro­fes­sions, such as mod­el­ling, wait­ing tables, media, pop music and, nowa­days, sport, seem to attract them but, truth be told, like male van­ity prod­ucts and her­pes, they’re pretty much everywhere.“‘

I think I should give myself a high-fashion snog.

Oh, I already have.

5 Comments

  • Dear friends (and by “dear” I mean queer). Thank u. You flip off “The Man” with one hand and jack him off with the other. How cool is that? Case in point– this com­mer­cial. It’s cheap. But it works. Plain and sim­ple. You see, this ven­dor chose the cheap and easy way to get peo­ple talk­ing about it. And what are we doing? Talk­ing about it, that’s what! That’s what con­tro­versy does– attract atten­tion. The real con­tro­versy here is not the same-sex kiss­ing, but rather, the fact that it war­rants so much atten­tion. Hey, how ’bout that Alvin and the Chip­munks movie, huh? A grown man who lives with 3 teenage boys in fur coats not related to him. Now that’s gay!

  • D&G always had the best ads, I col­lected their mag­a­zine ads when I was a teenager. They used to make les­bian­ism hot too… wish they’d get on that again. Or maybe they have… I don’t buy fash­ion mag­a­zines any­more, the Amer­i­can ones suck, the oth­ers are too expensive.

  • I read that the in France it has been actu­ally banned by some tele­vi­son author­ity, at the end.

    in Italy, native land of Ste­fano and Domenico, the reac­tion of the gen­eral pub­lic has been indif­fer­ence (they cut the end in the national TV ver­sion!)
    while some­where else (on MTV Italy, I think) they show the com­plete version

    I absolutely agree with you, Mark, in ana­lyz­ing and mag­ni­fy­ing the D&G capac­ity to live in, and take advan­tage of, the mod­ern male evolv­ing sense of reality.

    bizarre is that sculp­tors of the liv­ing lifestyle like the two lads Ste­fano e Domenico, come from the land of the roman catholic hypocrisy, of Fellini and Pasolini…
    where the para­graphs against homo­pho­bia –ele­men­tary codes of civil behav­iour any­where else– have been taken off “the new laws to improve secu­rity” by the centre-left gov­ern­ment …not to irri­tate the Vatican

  • I JUST read a dis­patch from France’s OUT Mag­a­zine recount­ing that that par­tic­u­lar ad had received so many com­plaints from view­ers out­raged by the same-sex kiss­ing and they wanted it off the air. How­ever, the com­mis­sion that reg­u­lates media in France said that they had reviewed it and felt that it was not offen­sive because it wasn’t overtly sex­ual, and the com­mer­cial con­tin­ued to air.

  • or let some­one else do it!

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