Male Pole Dancing on the Rise (Leg Warmers Optional)

 

Male pole danc­ing is on the rise, accord­ing to Diane Pas­sage on the Huff­in­g­ton Post.  Male pole danc­ing teach­ers such as the leg-warmer wear­ing one above have emerged. There’s even a male pole danc­ing con­test in the UK called ‘Mr Pole Fit­ness’.  How­ever Ms Pas­sage is care­ful to make this slightly uptight, not to men­tion self-defeating dis­claimer at at the end of her piece:

As I was dis­cussing this topic with friends, the major­ity of both men and women were not turned on by the idea of watch­ing a man work the pole. I per­son­ally am not a fan of a man who tries to imi­tate the sen­sual moves of a woman, but I do appre­ci­ate a man who demon­strates a mas­cu­line gym­nas­tic style sug­ges­tive of what I might see in Cirque du Soleil — which does appeal to the masses.

In other words, so long as the male pole per­former accepts that sen­su­al­ity is the woman’s pre­serve and doesn’t ‘try to imi­tate it’ but rather pre­tends he’s tak­ing part in an Olympic pommel-horse event or some cir­cus act — instead of pole danc­ing in a thong — it’s still ‘mas­cu­line’ and therefore OK.

It seems to me that male pole-dancing is becom­ing more pop­u­lar with men  pre­cisely because in this met­ro­sex­ual cen­tury men are more and more dis­re­gard­ing what is sup­posed to be a woman’s pre­serve — par­tic­u­larly sen­su­al­ity and invit­ing the gaze.  Men today see women doing things — such as using cos­met­ics, pole dancing, and suck­ing cock — and think: Hey! That looks like fun!  I’d like to give that a go!

And why not?

After all, women have been doing the exact same thing with the ‘male pre­serve’ for some time.  It’s why so many jour­nal­ists these days are female.

Here are some other clips of male pole dancers that prob­a­bly won’t meet with Ms Passage’s approval.  I’m not entirely sure whether they all meet with mine.  How­ever the last clip seems to glo­ri­ously short-circuit quaint (North American/Anglo) ideas of what’s accept­ably ‘mas­cu­line’.  The young pole-dancer may be gym­nas­tic, but he’s def­i­nitely not pre­tend­ing he’s on a pommel-horse.  Instead he seems to rep­re­sent the emer­gence of a beau­ti­ful new species of but­ter­fly. Spec­tac­u­larly demon­strat­ing that males can be both (eye-poppingly) mas­cu­line and sen­sa­tion­ally sensual. 

 

Tip: DAKro­lak

18 Comments

  • and fire­men. I like fire­men and their poles.

  • Yes, they’re the real experts at slid­ing down poles. Though I think it’s prob­a­bly been banned by H&S.

  • But I did notice just how much impor­tance the jour­nal­ist here places on the sym­bolic impor­tance of ‘the pole’!

  • Per­haps Salon should inves­ti­gate May­pole danc­ing while its at it.

  • Just saw this in Salon about Pole danc­ing kids. I don’t have an opin­ion, for once, but it’s inter­est­ing and has sparked a debate with an online friend about the whole ‘sex­u­al­i­sa­tion’ discourse.

    http://www.salon.com/life/broadsheet/2010/07/28/pole_dancing_kids

  • wow. I would pay to see that! I think from the arti­cles I have read about pole dancing/stripping there is a gen­eral snob­bery against it which could be inter­preted along class lines. In fem­i­nist dis­course for exam­ple I often read about how ‘pole danc­ing’ is not empow­er­ing to women but ‘bur­lesque’ can be. I really think this is to do with who is work­ing the stage and who is pay­ing to see the spec­ta­cle. I’d be up for more men pole dancers and bur­lesque or ‘boy­lesque’ per­form­ers. Fil­a­ment mag­a­zine http://www.filamentmagaxine.com had a party this week with some great male strip­pers and a woman in drag. I want to see a gen­der mix but I also want to see an end to the ridicu­lous high/low cul­ture art/sexwork dichotomies in cri­tiques of peo­ple dis­play­ing their bodies.

  • […] arti­cle, by Mark Simp­son, ‘Male Pole Danc­ing On The Rise (leg Warm­ers Optional)‘ is inter­est­ing and I’m totally with him (and other peo­ple quoted) that male pole […]

  • You would be sur­prised how many men that are tak­ing up pole danc­ing. The num­bers are increas­ing for both men and women but I think that the num­ber of males that are tak­ing it up are grow­ing as a proportion.

  • Mark Walsh wrote:

    Mark Hamil­ton: P.s: Daniel Rad­cliff appeared in Equus totally nude and will appear again in the last (I think)Harry Pot­ter install­ments naked.

    This being a favorite childs series, should cre­ate havok with the socially con­ser­v­a­tive Amer­i­can public–I can just see Bill O’Reily et. all steam at the seams– the boy is straight but would appeal to male eyes both pos­si­bly because of his age and his sex, albeit that he is straight. I’m not sure what lit­tle girls would be think­ing; per­haps they have asper­a­tions, along with Ms Pas­sage of pole danc­ing; If they lis­ten to her they con­ciev­ably would pre­fer that to olympic performance.

    Another aspect of this though, which got me think­ing about the responses to dif­fer­ent pole danc­ing came as I spoke with a het­ero­sex­ual male about his response to female pole danc­ing is that the appeal of females per­form­ing on the pole is that it is a mas­ter­ba­tory act :the appear­ance of women ‘get­ting off’ with the cli­toral stim­u­la­tion of a pole(phalus). This would not be a like­li­hood with males who aren’t so con­structed.
    The pole danc­ing appealed to me except when they did the crotch crunch­ing moves.

  • The New Art pole boy in the bot­tom video cer­tainly makes it look easy, while we all know it’s noth­ing of the sort. That’s an O for awe­some in my book.

  • Mark James Hamil­tion: If you were inter­ested in the sci­ence behind Visu­al­iz­ing Sex­ual Dimor­phism there are a numer of related studies.

    Since your ques­tion seemed a lit­tle gen­eral and your the­sis spe­cific for­give me if I missed the point..

  • Mark James Hamil­ton:
    Your sub­ject is intrigu­ing and cer­tainly rel­e­vant to this issue. Indeed I think that it may be eas­ier to come to terms with a tra­di­tion­ally male (util­i­tar­ian) activ­ity like Mar­tial arts becom­ing an object of visual libid­i­nal desire as well as purely aes­thetic appre­ci­a­tion as with the kata (exer­cise). While your ques­tion as it is posed could take us in a num­ber of direc­tions, I will try to be straight­for­ward as pos­si­ble. You asked:

    “how is a man more openly the object [of male libid­i­nal desire].”

    I mean more openly than in the past, since men have been objects to be used tra­di­tion­ally to pro­tect the female, pro­vide food etc. A sim­plis­tic answer then is that with the recog­ni­tion in last cen­tury of sex­ual object differences(see Mark’s arti­cle re: Mr. Kert­beny S’ 09 ), our soci­ety rec­og­nizes , for the most part that males as well as females have homo­sex­ual , bisex­ual, and even nar­cis­sis­tic metrosexual(M.S) pro­cliv­i­ties. We see this in magazines(i.e.Men’s Health), advertising(e.g. under­wear, per­fume), on calenders(Male ballplay­ers); In dance, males per­form in all male troupes, adopt­ing forms usu­ally given female cus­to­di­an­ship, even danc­ing on point. In the­ater, a recent case where nubile male beauty was used is in Equis, where “Harry Pot­ter” stood in naked splen­dor before a broad­way audi­ence. I’m sure this didn’t reflect his role in Harry (except the inno­cence)! In some of these cases one might assume wrongly that they appeal to females sex­u­ally, the appeal would be more aesthetic.

    One sig­nif­i­cant dif­fer­ence between males and females, which has been long sup­posed, is that most females don’t respond to visual sex­ual stim­uli like males do. We have assumed that in the way that males enjoy pornog­ra­phy and and strip shows. While this might have been cred­ited to female repres­sion that has been dis­proven sci­en­tif­i­cally. This assump­tion has been proven sci­en­tif­i­cally only as recently as 2004.
    The neu­ro­log­i­cal study of “sex­ual dimor­phism” , or the dif­fer­ence in struc­ture between male and female brains indi­cates that the gene respon­si­ble for sex­u­ally tied visu­al­iza­tion is shut off in females. This is sim­i­lar to why in canarys and zebra finches only the males sing. This is only onepart of the brain to which they have easy access.
    While some peo­ple believe that the choice of libid­i­nal objects is inborn, the sight of which is a turn on, there is no proof of this, it could as well hap­pen in for­ma­tive years. Many of us don’t think the object of choice is an inter­est­ing ques­tion. What attracts us to the object of our choices(libido) seems to be inborn, or cer­tainly formed before we make con­scious choices.
    Regard­ing your the­sis, It seems to me that tak­ing a com­plex set of util­i­tar­ian (tra­di­tion­ally male) move­ments and remov­ing their object (vio­lence), ren­ders them a form of dance. I know that some time back peo­ple were exper­i­ment­ing with those kind of exer­cises. They have great poten­tial. For a male audi­ence, the show of mus­cu­la­ture and coor­di­na­tion would surely hold libid­i­nal promise espe­cially for gay, bisex­ual and metero­sex­ual men. It would have great aes­thetic promise for oth­ers. Hope that helps. (If you need the Neuro Study I can send it.)

    Mark S.: Well, Pas­sage could be masochis­tic; or try­ing to get unemployment !

  • […] Male pole danc­ing. The leg­warm­ers are chuckleworthy. […]

  • Well, unlike my last prud­ish com­ment (which I apol­o­gize for and take back, about not lik­ing tits on men–I think it was just danc­ing sil­i­cone I objected to) I have to dis­agree with my uptight com­pa­triot. And I also don’t think this is “shit.” I like to see well-built (and well hung) men dis­play­ing “fem­i­nine” sensuality–with min­i­mal cloth­ing, please!

    Through most of his­tory, weren’t men always flaunt­ing their “sen­su­al­ity”? Walk­ing around in big wigs and high heels and cas­cad­ing lace in the 17th cen­tury. Skin-tight tights and show­ing off their buns in the 16th cen­tury. Cut­away coats to reveal the front of tight breeches in the early 19th cen­tury. (The pants were flesh-colored and were some­times put on wet with no underwear–an early form of shrink-wrap…)

    Gen­tle­men were sup­posed to dance grace­fully and have ele­gant man­ners. Yes, I know this isn’t exactly pole-dancing sen­su­al­ity, but I think it’s all part of the same thing. Men have always wanted to show off their ath­letic grace and mus­cled bods, and women and other men have enjoyed see­ing them, and why not?

  • Ann: I think men are born pole-dancers, given half a chance. And yes, mus­cu­lar well-hung ones look best with their legs in the air.

    I sup­pose what I objected to most about Ms Passage’s report was the lib­eral hypocrisy of it: let’s write a piece sup­pos­edly wel­com­ing male pole danc­ing, but then fin­ish by say­ing that male pole-dancing is only attrac­tive if it’s not actu­ally… pole dancing.

    Mark W: Ms Pas­sage cer­tainly can’t have known what she was say­ing, oth­er­wise she wouldn’t have said it. At least not out loud online, where every­one else can hear her — and point and giggle

  • supermarky wrote:

    I love love love watch­ing a really good stripper/exotic dancer. An amaz­ing per­former doing a beau­ti­ful rou­tine is a heady cock­tail of art and sex — and often humor — that is…really in a class by itself as far as media go.

    But I can’t watch this shit..!

  • women are some­times the het­e­ro­cen­tric tar­get of male libid­i­nal visu­al­iza­tions for those events, other males are equally as sub­ject to such atten­tion, espe­cially as they become more openly an object of male libid­i­nal desire.”

    how,mark? please tell me more.
    how is a man more openly the object.
    i am in the final moments of a PhD about the inter­sec­tion of the mar­tial arts and dance the­atre, and there­after.
    Mark (also) in NZ

  • Mark Walsh wrote:

    Ms. Pas­sage seems to miss the point(or pole) entirely. It doesn’t take much imag­i­na­tion to sup­pose that the pole itself is rep­re­sen­ta­tive of a phal­lus. Indeed it is a bet­ter con­structed imple­ment for sim­u­lat­ing a sex­ual act than doing gym­nas­tic stunts; if that was the case, I’m sure that the Olympics would have long ago pre­sented us with more than just a pole vault­ing event which seems eva­sive rel­a­tive to sex­ual imag­in­ing: some­thing more like a pole caress­ing feat. Ms. Pas­sage must have bees in her bon­net to imag­ine that like­li­hood.
    If Ms. Pas­sage was talk­ing about the mas­tur­ba­tory delights’ of rub­bing ones organs, as in horse­back rid­ing, on for­mi­da­ble sur­face, women have a struc­tural advan­tage with poles and bounc­ing steeds, to be sure, she and other women would pos­sess a favored anatomy. A girl friend told me about that.
    The allure of the visual has always been regarded as a male pre­rog­a­tive by nature.
    But while she may be right in assum­ing that the women are some­times the het­e­ro­cen­tric tar­get of male libid­i­nal visu­al­iza­tions for those events, other males are equally as sub­ject to such atten­tion, espe­cially as they become more openly an object of male libid­i­nal desire.
    My guess is that she’s less igno­rant than she is sim­ply envious..

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