Man-Knockers on the London Underground

A funny thing happened to Mark Simpson on the way to the ‘Being a Man’ forum

I almost fell off the plat­form when I saw this body­build­ing sup­ple­ments poster bust­ing out all over the London Underground recently - around the same time as all that indig­nant hul­laba­loo sur­round­ing The Sun’s infam­ous now-you-don’t-see-them-any-more-now-you-do-again lady busts.

There they were, depil­ated man-knockers (and pixelated knack­ers) nakedly objec­ti­fied in the rush hour for all to see: men and women, chil­dren and adults, wide-eyed tour­ists and jaded loc­als. No need to buy a copy of a declin­ing tabloid news­pa­per, open it and turn to page three to ‘exploit’ this model’s tits and abs. Just look up from your smart­phone. Shameless male top­less and bottomless-ness plastered all over the walls for every­one to ‘gaze’ at while wait­ing for the next obscenely over­crowded Elephant & Castle train, per­haps car­ry­ing Laura Mulvey.

Even worse, the poster encour­aged other young men to objec­tify them­selves (‘reveal your­self’), and spend their hard-earned cash buy­ing sup­ple­ments that they hope will help to make them more desir­able, more sale­able, more shag­gable — bustier. Men are the new glam­our models.

The web­site for the sup­ple­ment com­pany includes ‘cover model’ as one of the poten­tial ‘goals’ that their sporno­sexual cus­tom­ers might be inter­ested in:

…lean muscle has become an industry recog­nised term that is now syn­onym­ous with a cover model look. To achieve a cover model body, the key con­sid­er­a­tion is to increase muscle whilst keep­ing body fat to an abso­lute minimum’.

And lib­eral use of Photoshop.

Funnily enough, I was on my way to appear on a panel at the Southbank Centre talk­ing about ‘Being a Man’ when I was con­fron­ted with these man-knockers. On the panel I was respond­ing to a present­a­tion by the artist and TV presenter Grayson Perry. Who is a bit of man knocker him­self — in a more ‘crit­ical’ sense.

Perry’s present­a­tion (along the lines of this piece for the New Statesman) was acerbic, enter­tain­ing and not without insight, but some­times seemed at least thirty years out of date. And I know this because I myself am only twenty years out of date.

My main issue with it was not that it prob­lem­at­ised and patho­lo­gised mas­culin­ity and ‘toxic’ testoster­one and the Sauronic ‘male gaze’ — which it did in spades — but that it reified, pos­sibly fet­ish­ised mas­culin­ity as some­thing unchan­ging, some­thing mono­lithic. Sometimes the biggest crit­ics of mas­culin­ity are its biggest believ­ers — includ­ing cross-dressing fem­in­ist men.

Of course, I tend to notice far too much what some don’t care to see at all — and I began my com­ments by warn­ing the audi­ence that I like men. A LOT. But I was sur­prised how little Mr Perry seemed to under­stand me when talk­ing about the eager self-objectification young men today go in for and the break­down of what I call the het­ero­sexual divi­sion of labour, of look­ing and of loving.

I won­der if he uses the tube? Or even his eyes?

***

The recently-released movie ver­sion of Fifty Shades of Grey has been attacked by some fem­in­ists for set­ting back ‘the cause of woman­hood’ (because it fea­tures female sub­missive­ness and male mas­ter­ful­ness) and for glor­i­fy­ing ‘abuse’ (des­pite being very con­sen­sual). Notwithstanding it is writ­ten by a woman, dir­ec­ted by a woman (Sam Taylor-Johnson), green-lighted by a woman — and of course enorm­ously pop­u­lar with women. Likewise, the rehab­il­it­a­tion of female mas­ochism in the last dec­ade or so seems to have been for­got­ten and replaced by sus­pi­cion of women who like their sex sub­missive and spanky.

I haven’t seen the movie, I’m still recov­er­ing from going to see the last ‘event’ ‘chick flick’, so can’t com­ment on whether or not the women involved in mak­ing it and the mil­lions going to see are suf­fer­ing from ‘false con­scious­ness’. And obvi­ously I don’t know much about woman­hood anyway.

But I have watched the offi­cial trailer. Repeatedly. The mas­ter­ful Mr Grey (Jamie Dornan) is a standard-issue sporno­sexual who prob­ably has a Bulk Powders Gold Card. In the 2.23 min trailer there are 7 top­less shots of his sculp­ted torso, includ­ing a mir­ror shot which gives you a sim­ul­tan­eous, spitroast­ing front and rear view of it, vs 1.5 of Ms Steele (Dakota Johnson), sans nipples in her case. Oh, and one side shot of her panties — with Dornan’s pretty face in front of them.

My favour­ite shot though shows him play­ing his grand piano shirt­less, in a scene that looks a bit Behind the Candelabras - but with Liberace as the toy-boy. I sup­pose that the grand piano rep­res­ents Ms Steele sub­mit­ting to the skill­ful fin­gers of Mr Grey. But it looks like a very camp — sorry, I mean mas­ter­ful — form of masturbation.

 

Objectify Yourself

Mark Simpson on the (self) sexu­al­isa­tion of today’s male body & why straight young men crave gay adulation

(Originally appeared in Out Magazine, February 2015)

Male self-objectification is, as they like to say on social media, a “thing.”

There’s been a rash lately of so-called “gender flip” memes, in which people pre­tend to be impressed by male hip­sters pre­tend­ing to sub­vert sex­ism by iron­ic­ally adopt­ing the clichéd poses of sexu­al­ized women. Although some­times funny and instruct­ive, espe­cially when it involves lick­ing sledge­ham­mers, the anti-sexism of many of these gender flip memes depends on a (hetero)sexist assump­tion that men just aren’t meant to be objec­ti­fied — so it’s hil­ari­ous when they are.

Rather than, say, that the men adopt­ing these cheese­cake poses usu­ally just aren’t very attractive.

It also relies on jam­ming your eyes shut in order not to notice how men who aren’t meme-generating hip­sters prefer to stake their claim to our atten­tion not on faux fem­in­ism but rather on sweat-soaked gym ses­sions, pricey sup­ple­ments, plunging neck­lines, and gen­eral shame­less­ness. And as with sex itself, there’s noth­ing ironic about it. It’s a very ser­i­ous, very prof­it­able business.

At the mul­ti­plex, Chris Evans keeps blind­ing us with his all-American oiled bazookas. Channing Tatum and his bun chums keep whip­ping their pecs and asses out and — who knows? — may even finally deliver the man goods in this year’s sequel, Magic Mike XXL. Meanwhile, Guardians of the Galaxy recently wowed the world by prov­ing that even pre­vi­ously pudgy Chris Pratt (of Parks and Recreation fame) can be a Men’s Health cover girl. And Chris Hemsworth was named “Sexiest Man Alive” by People magazine on account of his long lashes, big guns, and huge hammer.

There’s even an MTV Movie Award for “Best Shirtless Performance,” which in 2014 went to Zac Efron for That Awkward Moment — but only after he stripped again, onstage at the cere­mony, without being awk­ward about it at all.

True, Hollywood too often still feels the need to jus­tify big-screen male slut­ti­ness with CGI hero­ics, a kind of mus­cu­lar Christianity in span­dex — insist­ing, in effect, that this is virile activ­ity, not gay/girly passiv­ity. And as if to keep that slut­ti­ness fur­ther in check, it often lim­its the nude or top­less male scenes to one per 100-minute movie.

Perhaps because it caters more to women, TV is a rel­at­ively unbuttoned medium when it comes to the male body. Even TV super­her­oes such as Stephen Amell’s Arrow are often costume-optional. Maybe because their male char­ac­ters are already damned, gothic shows like True Blood, Teen Wolf, and The Vampire Diaries are pos­it­ively pulsing with appet­iz­ing boy flesh. It’s enough to make any­one grow fangs. And the young, buff men of real­ity TV — the Jersey Shorettes — are every­where, wear­ing very little, and doing even less. Except demand­ing we look at them.

Dan Osborne gif

The “struc­ture” of struc­tured real­ity TV is usu­ally unveiled male V-shapes. In the U.K., a volup­tu­ously endowed, cheeky, straight(ish) guy in The Only Way Is Essex(the U.K. Jersey Shore equi­val­ent) called Dan Osborne became a national hero in 2014 after wear­ing glit­tery Speedos on prime time on another real­ity show,Splash! — even upsta­ging his mentor, the per­fectly formed Olympic diver Tom Daley.

The 23-year-old Osborne, like a lot of today’s self-objectifying straight men, loves The Gays. Really loves them. Last year he appeared in the U.K. gay magazine Attitude, very gen­er­ously offer­ing read­ers his shapely bubble butt across a double-page spread, with the strap­line “Sex is fun. Be safe and enjoy it.” He told Attitude, “I’ve had a few bum pinches, and I don’t mind that at all. Maybe it’s because a guy knows how hard it is to train, so they appre­ci­ate it more.”

Underwear model and wounded Marine vet Minsky embraces the gaze
Underwear model and wounded Marine vet Minsky embraces the gaze
Here in the States, pumped under­wear model Alex Minsky — the indelibly inked U.S. Marine Corps vet and amputee — is very happy to mer­ci­lessly tit­il­late his many appre­ci­at­ive gay fans with naked naugh­ti­ness. And even a major film star like James Franco can’t seem to leave them alone, post­ing all those semi-naked selfies on his Instagram feed.

The way straight young men chase and hustle gay atten­tion today rep­res­ents a major, mil­len­nial shift in atti­tudes. Part of the reason that men offer­ing them­selves as sex objects were frowned upon in the past was that they could be objec­ti­fied by any­one — includ­ing people with pen­ises. They were queered by the pen­et­rat­ing queer gaze.

Now they beg and plead for it. They instinct­ively know that male objec­ti­fic­a­tion is about enjoy­ing and cel­eb­rat­ing male passiv­ity, even — and espe­cially — if you’re straight. So get­ting the gays proves not only your hot­ness, and cool­ness, but also your meta­phys­ical ver­sat­il­ity. It proves that you are a proper, fully fledged, all-singing, all-dancing sex object.

Blame the met­ro­sexual, who was born two dec­ades ago, out­ing male van­ity and the mas­cu­line need to be noticed. In just a gen­er­a­tion, the male desire to be desired, or “objec­ti­fied,” to use that ugly word — which the met­ro­sexual exem­pli­fied — has become main­stream: It’s regarded as a right by today’s selfie-admiring young men, regard­less of sexual ori­ent­a­tion. In a visual world, men want to be wanted too — oth­er­wise, they might dis­ap­pear. They also need to look a lot at other men in order to bet­ter under­stand how to stand out.

Second-generation met­ro­sexu­al­ity is very obvi­ously more body-centered and hard­core — or sporno­sexual. Young men today want to be wanted, not for their ward­robes, but for their bod­ies. Bodies they spend a great deal of time, effort, and money fash­ion­ing into hot com­mod­it­ies down at the gym, tan­ning salon, and designer tat­too par­lor — and then upload­ing to the online mar­ket­place of social media for “likes,” “shares,” and cut­throat com­par­is­ons with their pals.

It shouldn’t be so sur­pris­ing. Today’s young men are grow­ing up with a dif­fer­ent idea of “nor­mal,” in which European and Australian pro­fes­sional rugby play­ers are happy to strip down and oil up. The highly homo­erotic, highly pro­voc­at­ive Dieux du Stade cal­en­dars of rugby play­ers in the buff became only slightly less homo­erotic when adap­ted by Dolce and Gabbana in their mega­bucks advert­ising cam­paigns star­ring the Italian World Cup soc­cer team. David Beckham and then Cristiano Ronaldo offered sim­ilar favors for Armani, fol­lowed by lithe Spanish ten­nis ace Rafael Nadal, who is cur­rently filling out the Italian designer packet. And former Australian rugby league player Nick Youngquest is now the body and face — in that order — of Paco Rabanne.

Gays are no longer a des­pised or mar­gin­al­ized niche — they’re lever­age. If you get the gays pant­ing, you even­tu­ally get every­one else.

David Gandy, pos­sibly the world’s only male super­model who isn’t a pro­fes­sional ath­lete, has a darkly hand­some, model-perfect face. But his sen­sual, ath­letic, beau­ti­ful body is his call­ing card. So it is entirely apt that he was “made” by Mr. & Mr. D&G, who cast him in their fam­ous 2007 “Light Blue” cam­paign, in a boat off Capri, wear­ing scan­dal­ously abbre­vi­ated D&G swim trunks, glisten­ing in the sun and lying back, hands behind his head, await­ing our atten­tion. He was accom­pan­ied by a foxy lady (Marija Vujovic), but he was the unques­tioned object of the camera’s gaze.

Seven years on, it’s still his trade­mark. In a clip for Gandy’s recent Autograph under­wear cam­paign, the cam­era, in extreme close-up, licks down his naked torso towards his naked, shaved groin — then fades out just in time.

It’s clear to any­one who wants to notice that in the sporno­sexual 21st cen­tury, the male body has been rad­ic­ally redesigned. With the help of some “objec­ti­fy­ing” blue­prints from Tom of Finland, it is no longer simply an instru­mental thing for extract­ing coal, build­ing ships, mak­ing babies, fight­ing wars, and tak­ing the trash out. Instead it has become a much more sen­sual, play­ful thing for giv­ing and espe­cially receiv­ing pleasure.

Or as the young men of the Warwick University row­ing team put it in a pro­mo­tional quote for the 2015 ver­sion of their now fam­ous nude char­ity cal­en­dar, ded­ic­ated to fight­ing homo­pho­bia in sports and rammed with arty ass shots: “Regardless of gender or sexu­al­ity, we are invit­ing you into that moment with us.”

GandyCoverx1000

Dude, Where’s My Objectification?

These ‘jokey’ Veet ‘Don’t risk dude­ness’ ads in which a ‘sexy lady’ turns into an ‘unsexy dude’ because she hasn’t used the smelly depil­at­ory cream have pro­voked an e-flurry of out­rage for their sex­ism and sham­ing of women who aren’t always smooth, so much so that Veet had to issue an apo­logy and with­draw them.

But what’s truly ‘funny’ about these ads is that in some ways they strike me as actu­ally being the advert­ising world’s ver­sion of those ‘gender flip’ click-bait posts that many of the people lam­bast­ing the Veet ads pro­fess to love. You know, the ones that pre­tend that men are never objec­ti­fied – des­pite male (self) objec­ti­fic­a­tion being hard to miss these days unless you’re try­ing really, really hard not to notice flag­rant, flam­ing evid­ence like this. And this.

And this:

Zac Effron shirtless award

 

Zac

Instead of look­ing around us, we’re sup­posed to listen to blather like this:

For some reason, as soon as you put a man in there … it’s an entirely dif­fer­ent thing that we aren’t used to seeing.”

Only if you’ve been jam­ming your eyes shut for the last twenty years, dear.

So, hav­ing pre­ten­ded that male objec­ti­fic­a­tion doesn’t exist, it’s now ‘really rad­ical’ and ‘chal­len­ging’ to ‘flip’ the roles. But in an ironic and uncon­vin­cing way, usu­ally mak­ing sure that the men adopt­ing the faux ‘sexu­al­ised’ poses are unat­tract­ive. (And not wet­ting their vests.)

o-BONDI-HIPSTERS-570

The ‘anti-sexism’ of many of those ‘gender flip’ memes strikes me as com­pletely bogus, impli­citly depend­ing as it does on the entirely (hetero)sexist pre­sump­tion that sex­i­ness is a female qual­ity. The ‘ludicrous­ness’ of the man adopt­ing ‘sexy’ poses requires a world­view that insists men just aren’t meant to be objec­ti­fied. That simply doesn’t see male objec­ti­fic­a­tion because it’s not sup­pose to hap­pen.

So the ‘gender flip’ actu­ally tends to rein­force the very thing it hypo­crit­ic­ally pre­tends to undermine.

Worse, people pre­tend, over and over again, to be impressed by daggy male hip­sters pre­tend­ing to do sexy while pre­tend­ing to sub­vert sex­ism – as a way of get­ting atten­tion. Which is the only really sin­cere part of the whole charade.

Instead of ditch­ing the dreary fuck­ing irony and just doing this. Or this.

By con­trast, these crass Veet ads are at least refresh­ingly hon­est and out of the closet in their hor­rendous het­ero­sex­ist revul­sion at ‘dude­ness’, and the ludicrous­ness of male sex­i­ness. And of course the thing that is always hov­er­ing behind that revul­sion, par­tic­u­larly in the US: that dudes might get it on with other dudes.

In stub­bly fact, this obses­sion ends up swal­low­ing their whole cam­paign, no gag reflex, to the point where it has little or noth­ing to do with women at all – des­pite them being the tar­get market.

It ends up being about two dudes in bed.

h/t Dr Petra

Meat the Spornosexual

The second gen­er­a­tion of met­ro­sexu­als are cum­ming. And this time it’s hardcore

Dan-Osborne-Spornosexual

by Mark Simpson

What is it about male hip­sters and their strange, pal­lid, highly ambi­val­ent fas­cin­a­tion with bod­ies beefier and sex­ier than their own? Which means, of course, pretty much everyone?

You may remem­ber last year that last year the Guardian colum­nist and TV presenter Charlton Brooker had a very messy bowel-evacuating panic attack over the self-sexualisation of the male body exhib­ited in real­ity show Geordie Shore.

Now the hip­ster bible Vice have run a long, pas­sion­ate – and some­times quite funny – com­plaint about today’s sexu­al­ised male body by a Brooker wan­nabe (and lookali­kee) titled ‘How sad young douchebags took over mod­ern Britain’.

At least the Vice writer isn’t in total denial. Brooker was so threatened by the brazen male hussies on Geordie Shore and the con­fu­sion their pumped, shaved ‘sex doll’ bod­ies, plucked eye­brows and pen­ises the size of a Sky remote pro­voked in him that the poor love had to pre­tend that they didn’t exist out­side of real­ity TV. That they were some kind of sci­ence fic­tion inven­ted to tor­ment and bewilder him and his nerdy body. Perhaps because he’s rather younger than Brooker, Mr Vice on the other hand has actu­ally noticed that these guys really do exist and are in fact pretty much every­where today, dipped in fake tan and designer tatts and ‘wear­ing’ plunging ‘heav­age’ condom-tight T-s.

tumblr_n13fpbUsOQ1swmejfo1_500

In a media world which largely ignores what’s happened to young men Mr Vice is to be com­men­ded that he’s clearly spent a great deal of time study­ing them. Albeit with a mix­ture of envy and desire, fear and loath­ing – and a large side order of self-contradiction and sexual confusion.

He laments that these ‘pumped, primed, ter­ri­fy­ingly sexu­al­ised high-street gigo­los’ have been impor­ted from America, but uses the exec­rable impor­ted Americanism ‘douchebag’ to describe them – over and over again. What’s a douchebag? Someone with big­ger arms than you, who’s get­ting more sex than you – and prob­ably earn­ing more than you, des­pite being con­sid­er­ably less expens­ively edu­cated than you.

tumblr_n13fpbUsOQ1swmejfo3_r1_500

But by far the most infuri­at­ing thing about ‘sad young douchebags’ is that they are so very obvi­ously not sad at all. They and their shame­less, slutty bod­ies are hav­ing a whale of a time, thank you very much. They’re far too happy being ‘sad young douchebags’ to sit down and write lengthy, angry ration­al­ising essays about why someone else’s idea of a good time is WRONG. Or read one. Or read any­thing, in fact. Apart maybe from Men’s Health.

A strong smell of nos­tal­gia eman­ates from this Vice jeremiad, like a pickled onion burp. The writer laments a lost Eden of mas­cu­line cer­tain­ties and whinges that these young men with their sexu­al­ised ‘gym bunny wanker’ bod­ies have replaced older, more ‘authen­tic’ English mas­cu­line arche­types, ‘the charmer’, ‘the bit of rough’, ‘the sul­len thinker’ (which, I won­der, applies to him?) and that as a result:

Nobody wants to be Sean Connery any more. With their buff, waxed bod­ies and stu­pid hair­cuts, the mod­ern British douchebag looks more like a model from an Attitude chat­line ad than a poten­tial Bond.

Ah yes, Sean Connery – the former Mr Scotland gym bunny wanker ex chorus boy who wore a wig and fake tan in those glossy, slutty Bond films. Masculinity is never what it used to be. Even back in Ancient Greece every­one was whin­ing that real men went out of fash­ion with the Trojan War. And what’s so wrong with want­ing to look like an Attitude chat line ad, rather than a hired killer?

Oh, that’s right – coz it looks gay.

tumblr_n13fpbUsOQ1swmejfo4_r1_500

All this moan­ing, along with the writer’s com­plaints that these buff young men are dis­ap­point­ingly ‘soft’, crap in a fight and don’t have nearly enough scars, reminds me of those gays on Grindr who stip­u­late in their pro­file ‘I like my men to be MEN!!’. Or the camp queens who over the years who have sol­emnly informed me: ‘If there’s one thing I can’t stand it’s camp queens!!’ Actually, it reminds me of myself when I was much more hope­lessly romantic than I am today, and before I real­ised real men were really slutty.

There is noth­ing gayer than the long­ing for mas­cu­line cer­tain­ties like this. Especially since they never really exis­ted any­way. It’s like believ­ing that the phal­lus is the real thing and the penis is just a sym­bol. It’s Quentin Crisp’s Great Dark Man syn­drome, but sans the self-awareness, or the arch­ness and the henna.

In fact Mr Vice is so nos­tal­gic – and so young – that he seems to think met­ro­sexu­al­ity is some­thing prior to, dis­tinct from and more taste­ful than these sexed-up shame­lessly slutty male bod­ies that insist on grabbing his atten­tion, wist­fully con­trast­ing how the ‘nat­ural con­fid­ence’ of met­ro­sexu­al­ity ‘has been replaced by some­thing far more flag­rant’. Take it from metrodaddy, today’s flag­rantly sexu­al­ised male body is merely more met­ro­sexu­al­ity. More sexy, more tarty, more porny, more slapped in your face. So stop bitch­ing and suck on it. Metrosexuality has gone hard-core –the ‘sexu­al­ity’ part has gone ‘hyper’.

tumblr_n13fpbUsOQ1swmejfo5_r2_500

The met­ro­sexual was born twenty years ago and had to struggle to sur­vive in an untucked ‘no-homo’ 1990s — but the second wave take the revolu­tion he brought about in mas­cu­line aes­thet­ics for gran­ted. Steeped in images of male desirab­il­ity from birth and mas­turb­at­ing furi­ously to hard-core online porn from puberty, they have totally sexed-up the male body and turbo-charged the male desire to be desired, which was always at the heart of met­ro­sexu­al­ity rather than expens­ive fash­ion spreads and fas­ti­di­ous lists of ‘dos and don’ts’. Their own bod­ies rather than clob­ber and cos­met­ics have become the ulti­mate access­ory, fash­ion­ing them at the gym into a hot com­mod­ity. Nakedly met­ro­sexy.

If we need to give this new gen­er­a­tion of hyper met­ro­sexu­als a name – other than total tarts – we should per­haps dub them sporno­sexu­als. These mostly straight-identified young men are happy to advert­ise, like an Attitude chat line, their love of the pornolised, sporting-spurting male body – par­tic­u­larly their own. Along with their very gen­er­ous avail­ab­il­ity to anyone’s gaze-graze. Especially at premium rates.

tumblr_n13fpbUsOQ1swmejfo6_r1_500

And every­one is call­ing their num­ber. Though admit­tedly not many do it via the extremely kinky route of writ­ing long essays denoun­cing them and explain­ing why they’re TOTALLY NOT INTERESTED. Hipsters, who of course think them­selves above the vul­gar­ity of sex­i­ness, are simply the ironic, anti-sexual wing of met­ro­sexu­al­ity – which is to say, abso­lutely fuck­ing point­less.

It’s the obvi­ous, if often obli­vi­ous, visual bi-curiosity of today’s totally tarty, hyper met­ro­sexu­al­ity that alarms people even more than its ‘vul­gar­ity’. Male bisexu­al­ity is still largely a taboo pre­cisely because it threatens the final, fond, sac­red, and highly phal­lic myth of mas­culin­ity: that it has an (het­ero­norm­at­ive) ‘aim’ and ‘pur­pose’. The scat­ter­shot slut­ti­ness of sporno­sexu­als sig­nals a very sticky end to that virile delusion.

Mr Vice argues repeatedly that these young men enjoy­ing their bod­ies and their lack of inhib­i­tion com­pared to their fath­ers and grand­fath­ers, are hav­ing a ‘crisis of mas­culin­ity’. This just smacks of more middle class resent­ment dressed up as ‘con­cern’ – a pissy, pass­ive aggress­ive way of call­ing them ‘sad douchebags’ again. Or ‘gay’. When people talk about a ‘crisis of mas­culin­ity’ they’re usu­ally talk­ing about their own – in deal­ing with the fact that mas­culin­ity isn’t what they want it to be. And par­tic­u­larly when work­ing class chaps aren’t what middle class chaps want them to be.

It’s true that our post-industrial land­scape often doesn’t know what to do with the male body apart from shag it or sell it, but that’s not neces­sar­ily such a ter­rible con­trast with the ‘glor­i­ous’ past. For a younger gen­er­a­tion of young men no longer afraid of their own bod­ies there’s no crisis – but rather a lib­er­a­tion. From the dehu­man­ising, sex­ist con­straints of their fore­fath­ers. Men’s bod­ies are no longer simply instru­mental things – for fight­ing wars, extract­ing coal, build­ing ships, scor­ing goals, mak­ing babies and put­ting the rub­bish out that must renounce pleas­ure, van­ity, sen­su­al­ity and a really good fin­ger­ing and leave that to women and pooves.

tumblr_n13fpbUsOQ1swmejfo7_r1_500

Instead the male body has been rad­ic­ally redesigned, with the help of some blue­prints from Tom of Finland, as a sen­sual sex toy designed to give and par­tic­u­larly to receive pleas­ure. Maybe it’s not ter­ribly heroic, and admit­tedly some of the tatts are really grotty, but there are much worse things to be. Such as a slut-shaming writer for a hip­ster magazine.

Of course, I would say that. Because I find these sporno­sexual, totally tarty young men fuck­able. But that’s kind of the point. They des­per­ately want to be found fuck­able. It would be extremely rude and ungrate­ful not to find them fuck­able when they have gone to so much trouble doing all those bubble-butt build­ing bar­bell lunges at the gym for me.

And in fuck­able fact, it’s their fuckab­il­ity which makes the unfuck­ables hate them so fuck­ing much.

tumblr_n13fpbUsOQ1swmejfo8_r1_500

© Mark Simpson 2014

Mark Simpson’s Metrosexy: A 21st Century Self-Love Story is avail­able on Kindle.

dan-osborne-naked-attitude-magazine-mister-scandal1

Totally tarty Dan Osborne gifs from here - h/t DAKrolak

It’s a Queer World

Deviant Adventures in Pop Culture

Saint Morrissey

The acclaimed ‘psycho-bio’ of England’s most charm­ing – and alarm­ing – pop star.

Metrosexy

A bio­graphy of the metrosexual.

By his dad.

End of Gays?

What’s left of gay­ness when the homo­pho­bia stops?

Male Impersonators

The book that changed the way the world looks at men.

Sex Terror

This book will change the way you think about sex. It may even put you off it altogether.