How Ridley Scott invented the 1980s – And His Own Obscurity

Inevitably Ridley Scott’s Robin Hood, which I went to see last night, was Gladiator crossed with Kingdom of Heaven – but with the embarrassing mistake of Orlando Bloom dead-headed. Though actually I found myself missing Bloom’s lightweight charms. Robin Hood is even more boring and pretentious than both of Scott’s ponderous epics combined (which is an achievement of sorts). Except that is for the entertainment provided by Russell Crowe’s idea of a northern English accent – a mixture of Harry Enfield Scouse and Brad Pitt […]